Frenkie —

Adnan Hamidović (born 31 May 1982), known professionally as Frenkie, is a Bosnian producer, rapper, songwriter and graffiti artist based in Tuzla, Bosnia and Herzegovina. Within the drum and bass/jungle frame he lists work across drum and bass and drumstep while also producing in boom bap, Chicago house, coupé décalé, East Coast hip hop, electro swing, europop, French rap, German hip hop, hardcore techno, hard house, hip hop, ndombolo and underground hip hop. Frenkie was born in Bijeljina and spent the Bosnian War years in Nuremberg, Germany with his family. He returned to Bosnia in 1998 and settled in Tuzla, where he became active in the local underground hip‑hop scene. In 1999 he co‑founded the FM Jam collective and later joined the group Disciplinska komisija. He released his debut solo album Odličan CD in 2005. His song “Soundtrack” was featured in the 2008 film The Incredible Hulk. Frenkie has released multiple albums and books and is frequently cited as a prominent figure in Balkan hip‑hop. Public documentation of Frenkie’s drum and bass and jungle releases is limited; his publicly known catalogue and credits are strongest in rap and hip‑hop. Where he operates as a producer across the list of genres above, the through line is concrete: vocal‑led arrangements, beat construction rooted in hip‑hop phrasing, and cross‑genre programming. His work outside straight rap typically pairs looped melodic material with programmed percussion and electronic bass elements rather than orchestral scoring or band arrangements. Specific, verifiable career highlights remain his role in establishing FM Jam (1999), membership of Disciplinska komisija, the 2005 solo album Odličan CD, and placement of “Soundtrack” in the 2008 Marvel film The Incredible Hulk. Those facts anchor his contribution to Tuzla’s scene and to Balkan hip‑hop. Beyond those items, published records list multiple albums and books under his name but do not provide a detailed, publicly indexed drum and bass or jungle discography to cite. On influences and connections: existing sources describe Frenkie as emerging from the Bosnian underground hip‑hop milieu that coalesced around FM Jam and Disciplinska komisija. Specific producer influences tied to his drum and bass or jungle work are not documented in available public sources. For readers seeking production credits, remixes or label releases in drum and bass/jungle under the Frenkie name, current public records are sparse and should be verified against his official channels.