Ozma

Anton Rudoy performs as Ozma. He is a producer and DJ from Saint Petersburg, Russia, working primarily within drum & bass with a career that spans Jump Up, neurofunk and experimental bass sounds. He began producing in 2005 writing techno, moved into drum & bass around 2006, and released his debut album Nu Skool in 2008. Ozma has released music on labels including Multifunction, Serial Killaz and Playaz and has performed at clubs and events in Saint Petersburg and across Europe.

Background: Ozma’s entry into electronic music started in 2005 with techno production. Around 2006 he redirected that production focus toward drum & bass, initially concentrating on Jump Up and later moving into neurofunk and more experimental bass work. The timeline—techno (2005) → drum & bass shift (c.2006) → debut album Nu Skool (2008)—is the documented arc of his early career. Public records note releases on Multifunction, Serial Killaz and Playaz, and live appearances both in Saint Petersburg and on European dates.

Musical style: public technical detail on Ozma’s studio setup is limited, but the documented movement between Jump Up, neurofunk and experimental bass clarifies his stylistic range. His Jump Up period is tied to punch-forward, mid-range basslines and tight, looped break patterns; his neurofunk work emphasizes layered, modulated bass textures and precise drum programming typical of that subgenre; his experimental bass material explores unconventional sound design and darker atmospheric elements. Across these strands you’ll find a through-line from his techno background—attention to build, kick/bass interplay and arrangement—applied to heavier, bass-centric DnB frameworks.

Production traits and sound design (what can be stated from recorded output): Ozma’s catalogue shows a preference for sculpted bass tones and focused drum edits rather than long, decorous arrangements. On record he favors concise structures suited to club play and DJ mixing—short, impactful intros, pronounced bass drops and punchy break edits. Where he leans toward neurofunk, his tracks use stacked bass layers and evolving filters; where he returns to Jump Up, the emphasis shifts to mid-bass weight and hooky bass stabs. Ambient or experimental passages appear alongside dancefloor material, indicating attention to atmosphere as well as impact.

Career and contributions: Ozma’s 2008 album Nu Skool is the clearest milestone in his discography. Beyond the album, his releases on Multifunction, Serial Killaz and Playaz place him within labels known for both Jump Up and more technical drum & bass output. He has supported the scene as a live performer in Saint Petersburg clubs and at events across Europe, combining production output with DJ slots that represent the recorded styles in a live setting.

Influences and connections: specific named influences are not widely documented in available sources. His shift from techno into drum & bass and the labels he has worked with suggest an affinity with both club-focused and technical bass music tendencies, but public information does not list direct artist mentorships or named influence statements.

Because public biographical detail beyond releases, labels and performance locations is limited, Ozma’s profile is best read through the concrete markers: his 2005 start in techno, the 2006 move into Jump Up and later neurofunk/experimental bass, the 2008 Nu Skool album, releases on Multifunction, Serial Killaz and Playaz, and live appearances in Saint Petersburg and across Europe.