Ragga Twins — David Destouche (Deman Rocker) and Trevor Destouche (Flinty Badman) — are a sibling duo from Hackney, London, best known as ragga and jungle MCs who also work in production contexts. They first emerged on London’s Unity sound system in 1989 and rose to prominence in the early 1990s with singles such as “Spliffhead”, “Wipe the Needle” and “Hooligan 69”, and the album Reggae Owes Me Money (1991).

Their entry into the scene came through sound-system culture: the brothers started performing on Unity in 1989, carrying ragga/dancehall vocal techniques into the nascent jungle and breakbeat environment. That move — ragga-style toasting and patois-inflected delivery over breakbeat programming — is the throughline in their early work and the reason they are widely regarded as pioneers of ragga/jungle.

Musically, the Ragga Twins pair rapid-fire Caribbean vocal phrasing with aggressive, breakbeat-driven production. Their MCing uses call-and-response hooks, rhythmic syllable stacking and emphatic cadence that sit on top of chopped breaks and heavy low-end. On tracks like “Spliffhead” the voice operates as both lead hook and rhythmic instrument, riding syncopated drum patterns and recessed sub-bass rather than long melodic lines. Their sound emphasizes tight vocal rhythms, shouted refrains and micro-patterns of phrasing that lock into programmed breakbeats — a signature approach heard across their early singles and album.

Production- and collaboration-wise, the Ragga Twins worked with scene producers and teams who translated their vocal style into club records. They collaborated with Shut Up & Dance and with Aquasky (both credited associations), pairing the Twins’ toasting with hard-edged breakbeat and bass production. More recently, their vocals have reached wider electronic circles: they have been credited on tracks by artists such as Skrillex, bringing their ragga vocal approach into dubstep-adjacent productions.

Specific releases anchor their profile: the singles “Spliffhead”, “Wipe the Needle” and “Hooligan 69” and the 1991 album Reggae Owes Me Money are central reference points for their early impact — those records document the combination of ragga voice and jungle/breakbeat production that made their name. Their work on Unity sound system dates back to 1989 and is the documented starting point for that recorded output in the early 1990s.

In terms of influences and connections, the Twins’ delivery and lyrical cadence draw directly on reggae and dancehall vocal styles — the ragga/toasting tradition underpins their MC technique — while their recorded partnerships connect them to key breakbeat and jungle producers of the period, including Shut Up & Dance and Aquasky. Their credited vocal features with Skrillex show how those ragga roots have been adapted into later electronic subgenres.

The Ragga Twins’ recorded legacy is specific: brothers David (Deman Rocker) and Trevor (Flinty Badman) from Hackney who began on Unity in 1989, released defining early-’90s singles and the 1991 album Reggae Owes Me Money, collaborated with Shut Up & Dance and Aquasky, and have had vocal features on tracks by Skrillex.

Releases & EPs

Everybody's Free (Ashdunn Remix)

Like It Like (Ashdunn OG Remix)

Like It Like

Surgery (Ashdunn Remix)

Go Riddim

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