Neonlight is a German drum and bass duo — producers and DJs Tobias Jakubczyk and Jakob Thomser — based in Leipzig. They work primarily in drum and bass and jungle and across related substyles, with releases that sit on labels including Blackout Music NL, Eatbrain, Lifted, RAM Records and Vision. Their discography includes the album My Galactic Tale and the 2022 album Vanity Fair. Neonlight perform DJ sets internationally.

Jakubczyk and Thomser grew up together in Leipzig and began producing under the Neonlight name around 2009. That start date and the two-person lineup are the core public facts about their early career: a partnership formed in childhood that moved from local activity to international releases and touring. Public biographical detail beyond those points is limited; their recorded output and label partners are the main documented trail of their progression.

Neonlight’s sound is frequently described as precise and bass-driven, a description that matches their production choices across releases. Their tracks emphasize tightly edited break programming and controlled low-end. On releases for Vision, Blackout and Eatbrain they favour layered bass design: a clean sine sub underpinning a distorted or modulated midrange bass layer, plus focused mid/high percussive separation in the mix. Drum editing leans toward chopped, engineered break patterns rather than loose live-feel kit takes, and their mixes show clear attention to headroom and sub-saturation for club translation.

As producers they use detailed arrangement and processing to shape tracks for heavy systems. Expect concise drop construction, repeated bass motifs, and the use of atmospheric pads or cinematic stabs to punctuate transitions. Those elements place much of their work in the tech/neuro end of drum and bass while also touching on rollers and liquid textures on some releases; the duo have also explored drumstep and downtempo approaches within their wider output.

On the DJ side Neonlight translate their production values into sets that emphasise low-end clarity and rhythmic precision. Reports of their international DJ appearances note a focus on track selection that supports tight mixes and impactful bass moments — mixing for energy and system response rather than long blends of ambient material. Their live role under the Neonlight name complements the studio output by presenting the same bass-forward material in club and festival contexts.

Their recorded contributions include two studio albums—My Galactic Tale and Vanity Fair (2022)—and singles and EPs released across RAM Records, Lifted, Blackout Music NL, Vision and Eatbrain. They have collaborated with other producers in the scene, notably Mefjus and Aeph, and those collaborations underline their alignment with technically minded producers who prioritise engineered bass and detailed drum programming.

Public statements about personal influences are scarce; however, the labels they’ve released on and their collaborators provide a clear connection to the technical, precision-focused branch of modern drum and bass. Neonlight’s catalog and international DJ activity remain the primary verifiable record of their work.

Releases & EPs

Somewhere We Belong (Prolix Remix)

Supreme Entity (Ed Rush Remix)

Triumph

Indoor Space (Burr Oak Remix)

Spanish Town

Life Is Lost