Krasia
Krasia is a drum and bass trio from Cardiff, United Kingdom. The group consists of Niall Burt, Jack Daisley and Matty (Matthew) Bengtsson. Their primary output is producer-led drum and bass with a leaning toward liquid / club-focused DnB.
The trio formed inside Cardiff’s underground scene and began releasing material publicly in 2023. Documented releases from that year anchor their early discography: the single “Addicted” (released 13 October 2023 on PullUp Recordings) and the Slow Me Down EP (released 15 December 2023). Public biographical detail beyond those release entries is limited, but those 2023 releases mark Krasia’s first widely available statements.
As producers, Krasia’s work centres on melodic, club-oriented drum and bass. Their tracks place emphasis on programmed, rolling break patterns combined with tight low‑end — a production approach that keeps the sub and kick clear for sound‑system play. Atmospherics are built from sustained pads and reverbed chord stabs rather than dense sample layers, while percussion is kept crisp to preserve rhythm clarity. Mixing choices across their releases favour a polished, club-ready low end and defined mids so chord movement and bass interplay remain audible at higher playback volumes. These are practical, repeatable techniques aimed at dancefloor translation rather than lo-fi texture experiments.
Concrete career highlights include the single “Addicted” (PullUp Recordings, 13 October 2023), whose composer credits list Matthew Bengtsson, Jack Daisley and Niall Burt. The Slow Me Down EP arrived on 15 December 2023. The group have also released other singles on labels, including PullUp Recordings. Outside of record releases, Krasia have documented their DJ/mix practice: they recorded a Crucast showcase that aired on Rinse FM, demonstrating the group’s attention to sequencing and track selection in a live-mix context.
Collaborations and scene connections are part of Krasia’s profile. They have worked with other producers such as Loboski. Beyond that named collaboration, public statements about particular musical influences are sparse; Krasia’s recorded output and their Crucast/Rinse FM mix remain the clearest indicators of their sound and methods.
