Levit∆te
Connor Campbell, known professionally as LEViT∆TE, is an American audiovisual producer and DJ based in Los Angeles. He works across bass music styles — including dubstep, drum & bass, drumstep, jungle, liquid funk, riddim, bassline, deathstep, dub, glitch, IDM and related bass music — with a primary focus on production and audiovisual work.
LEViT∆TE began performing as a turntablist in Seattle early in his career. He was active in that city’s scene before relocating to Los Angeles, where he expanded from turntablism into electronic production and live audiovisual performance. His early turntable experience is a documented part of his background and is reflected in how he approaches edits and live sets.
As a producer, LEViT∆TE’s sound blends heavy low-end design with detailed break manipulation and polished atmosphere. Across releases and live material he uses chopped and rearranged breakbeats and half-time drumstep patterns alongside faster drum & bass timing where the material calls for it. Bass design leans on layered sub-sine fundamentals combined with midrange growls and distorted reese-style elements for weight and presence. He employs glitch/IDM techniques — granular processing and micro-editing — to fracture textures, and uses dub-style delay and reverb to build space around lead elements. In tracks that lean toward liquid funk or jungle he adds melodic pads and higher-register harmonic content; in heavier material (deathstep, riddim, dubstep) he emphasizes saturation, aggressive filtering, and transient shaping. A constant across his work is the integration of audio with self-directed visuals: his mixes and compositions are often produced alongside video content that aligns cuts, drops and tempo changes with on-screen edits.
LEViT∆TE has released music on Division Recordings and on his own imprint, Levitatemusic. He issued the audiovisual album Legacy in December 2020; that release pairs original tracks with visuals that he wrote and directed. He has collaborated with artists including Bassnectar, and his music has been licensed for broadcasts such as the X-Games and placed in the feature film The Tax Collector. Those placements and the Legacy audiovisual project are concrete examples of how his production work moves between club, broadcast and cinematic contexts.
On stage and in studio, his contributions are centered on production and audiovisual presentation. In the studio he programs detailed drum edits, designs basses across multiple layers, and applies glitch and granular techniques to create irregular, textured moments. In performance he draws on turntablism roots for timing and phrasing, combining original tracks with synced visuals and live edits to control dynamics and pacing. His Levitatemusic imprint functions as the hub for self-released material and audiovisual projects, while releases on Division Recordings mark his output on external labels.
Publicly documented connections include his collaboration with Bassnectar and the inclusion of his music in X-Games broadcasts and in the film The Tax Collector — alongside the December 2020 audiovisual album Legacy — all of which are verifiable touchpoints in his career. His early work as a Seattle turntablist and his move to Los Angeles are similarly established facts that shape how he produces and performs.
Legacy (Dec 2020), releases on Division Recordings, and his Levitatemusic imprint are the clearest, verifiable markers of LEViT∆TE’s catalog and audiovisual practice to date.
