Charlotte Haining

Charlotte Jane Haining is an English singer‑songwriter and producer from Leeds, now based in London, United Kingdom. Within drum and bass she is most closely associated with the liquid side of the sound, appearing on releases and projects that sit in melodic, vocal‑led DnB and adjacent bass music styles.

Haining studied at the Liverpool Institute for Performing Arts (LIPA). She is a member of Loud LDN. Her entry into wider public recognition came through featured vocal spots and songwriting credits across electronic and pop scenes — credits that have carried into drum and bass via collaborations with producers from that world.

As a vocalist and songwriter Haining’s work leans toward melodic toplines, clear phrasing and layered backing vocals suited to liquid drum and bass and melodic bass productions. That is evident on tracks such as Hybrid Minds’ “Paint By Numbers” (feature) and on her collaborative album with BCee, Life as We Know It (2020), where vocal-led arrangements and atmospheric pads sit over DnB breaks and rolling low‑end. Her credits outside strict DnB—Shane Codd’s “Always on My Mind,” and co‑writing pop/dance tracks—show a consistent focus on strong toplines and vocal production that translate into her drum and bass features.

Concrete career highlights: she featured on Shane Codd’s “Always on My Mind,” appeared on Hybrid Minds’ “Paint By Numbers,” co‑wrote “Risk It All” (Ella Henderson, House Gospel Choir & Just Kiddin) and co‑wrote “My Heart Goes (La Di Da)” (Becky Hill & Topic). In 2020 she released the collaborative album Life as We Know It with BCee. Her work also appears on the FIFA 22 VOLTA soundtrack, bringing her songwriting and vocal performances to a wider audience.

Haining’s professional network and credits connect her directly to liquid DnB producers (BCee, Hybrid Minds) and to pop/dance songwriters and acts (Becky Hill, Topic, Ella Henderson, House Gospel Choir, Just Kiddin, Shane Codd). Her footprint in DnB is concrete: featured vocals, co‑writing and a 2020 collaborative album that place her in the melodic, vocal‑driven strand of the scene.